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造物的奇迹8.0

类型:科幻 纪录片  其它  1925 

主演:Margarete Schön Theodor Loos Paul B 

导演:Hanns Walter Kornblum 

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播放失败或卡顿可切换线路观看

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相关介绍

1、问:《造物的奇迹》什么时候上映时间?

答:这部影片的上映时间是1925年,更新时间2023-09-17 09:53:45

2、问:《造物的奇迹》其它在哪个电视台播出?

答:《造物的奇迹》目前只有网上如、爱奇艺腾讯优酷多鱼网等播出、没有在电视台播。

3、问:《造物的奇迹》演员表

答:《造物的奇迹》是由Hanns,Walter,Kornblum 执导,Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl 领衔主演的科幻片 科幻,纪录片 其它 。该剧于2023-09-17在腾讯、爱奇艺、多鱼网、优酷、等平台同步播出。

4、问:哪个平台可以免费看《造物的奇迹》全集

答:免vip在线观看地址:www.babayu.org/vod/196470.html

5、问:手机版免费在线点播《造物的奇迹》有哪些网站?那些平台搜索?

答:hao123影视百度视频多鱼网;请到百度  搜狗 360 神马 头条搜索。

6、问:《造物的奇迹》评价怎么样?

Mtime时光网友:剧情紧凑有趣,不同于其他影片作品,有励志|灾难|冒险|犯罪|生活等故事情节精简不会啰里啰嗦拖泥带水,观众在电影中体验到了无尽的紧张和刺激。他们的演绎让我对每个角色都充满了期待和共鸣。影片中的角色性格鲜明,每个人物都有自己的故事和动机,令人着迷,值得一看。

丢豆网网友:这部影片是一本栩栩如生的电影,创作灵感之高。影片中绘声绘色的基础上有欢笑,有泪水,有快乐,也有悲伤..具备长辈苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。电影励志、冒险、灾难、言情、生活种种往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现理解的道理、以其设身处地都会是现实中教导的教诲!

豆瓣电影网友:这部电影评分:8.0佳作造物的奇迹其它是1925年其它上映的科幻片,这部剧深受观众喜爱,并在播出后获得了极高的好评和口碑,影片中的角色形象塑造鲜明,故事情节紧凑不会阿弥陀佛啰嗦不断!剧情发展合理。更微妙的是在导演Hanns,Walter,Kornblum的指导下,Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl每一个演员的出色表演将剧中的角色形象栩栩如生地呈现在观众面前。无论是剧情、演员的表演还是剧中歌曲,都是该电影的亮点好看所在的美妙。

剧情介绍:  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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